Faith is told mostly in the first person from the point of view of Sheila, whose older half-brother Art, a priest, is accused of child molestation in Boston in 2002. Sheila believes he is innocent; her younger brother Mike is less sure; their mother can't bear to speak of it. Haigh conveys the intricate emotional balances of the family and the Boston Irish Catholic community beautifully; there is much more to the story than the newspapers report, and Sheila discovers and relates it all to the reader. Haigh handles the sensitive subject matter deftly and unflinchingly. This is a unique book.